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The Little Recidivist

by David Safran

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1.
Lucklessness 04:52
A friend washed up on the shoreline Half-covered in sand and wood He thought if drink didn't save him Maybe Lake Michigan could I drove out to the service The scene came to mourn and attack For fame, we're leaving our friendships Fresh material keeps bringing us back What makes other people happy We find absolutely ghastly Don't we love our lucklessness Don't we love our lucklessness We don't slide towards desperation We never really let on That we hate our generation And we're afraid of the next one You can't buy liquor with your Link card Can't tell DePaul girls that you're twenty And it's hard to seek wider attention When the clubs you play are empty What makes others happy It's all absolutely ghastly Don't we love our lucklessness Don't we love our lucklessness Some will sleep with half the North Side Some prefer a quieter communion Yet all will pause and reflect now As long as our hand keeps moving Don't we love our lucklessness Don't we love our lucklessness
2.
I've seen a hard, well-thumbed life, babe Watching the sunlight on the wall Waiting for symptoms to arrive, babe Waiting for benzo withdrawal And weather permitting I'm almost forgiving But really what's forgiveness anyway? It's just muttering continues all day Muttering continues all day Muttering continues all day I'm a neutral being between the sexes My job is not judge or exploit What excites me is human connection To mostly miss the point If I don't slow the taper I'll rest with the creator And I can see my headstone say Muttering continues all day Muttering continues all day Muttering continues all day From my treatment private-pay Muttering continues all day And dosed down I mutter "I know I won't recover What the benzos rubbed away" Muttering continues all day Muttering continues all day Muttering continues all day
3.
Regional Hit 03:14
Again I flee my parents and keep going home To measure out meds, I can't be alone I need a town of "Hot Romance," a house around a pit A father always saying he's a regional hit I'm a regional hit I'm a regional hit We bike a long rail-trail where mammoths once ran Shrieking and hunted by hungrier men Pop hogs the path, proud his shorts don't fit I think about the tracks and a regional hit Here's your regional hit Here's your regional hit There are signs across the city saying "character counts" And sounds of "Hot Romance" and screaming in our house "I'll put this through your throat," I said, "if you don't quit" But Papa kept playing his regional hit We are regional hits We are regional hits
4.
No more no more no more wine No more no more no more wine No more no more no more wine And now far more confined By no more wine No waking in urine No more wine At least no more of mine No more no more no more beer No more no more no more beer For all my faults, the worst I fear Is no more beer No more beer No wretched hangover No more beer Unseen but always near No more no more no kvass No gin to hide in toilet tanks No hooch brewed in an underpass And no kvass No kvass Comrades don't fill my glass No kvass Well, maybe just a splash No more no more no cognac No meds to mix with Uncle Jack No off a cliff and out to black And no cognac No cognac Nothing to knock back No cognac No more no more no more wine Give this man a chair he'll climb Upon the table every time So no more wine

about

Chart-topping record producer Sean O'Keefe (Fall Out Boy, Beach Bunny, Plain White T's) and cherished indie rock icon Jason Narducy (Bob Mould, Sunny Day Real Estate, Superchunk) bring some luck to cult singer-songwriter David Safran's "Lucklessness."

A nearly-forgotten song originally written for Safran's 2012 record Delicate Partsis the anthemic centerpiece of his new EP THE LITTLE RECIDIVIST—the veteran Chicago musician's first new release in over a decade.

With a title cheekily named after John Cale's snarky observation of a young David Safran during a chance encounter in 2001, THE LITTLE RECIDIVIST serves as an unpredictable comeback firmly focused on the past—and past crimes—as well as a preview of his upcoming LP, A FEW LINES LATER.

It's been over twenty years since Grammy-nominated record producer Sean O'Keefe helmed a David Safran project. In a more innocent era—1998 to be specific—18-year-old O'Keefe was drumming for high school ska group Danny and the Ketchups while sharpening his skills as a burgeoning producer and recording engineer capturing bands within the small, tight-knit suburban Chicago punk scene. This included the Apathetics, 14-year-old David Safran's melodic hardcore band that, at the time, was fiercely embraced by their local teen community.

As the years went on, O'Keefe and Safran would remain kicking around the same music scene while experiencing wildly different career trajectories: O'Keefe would achieve massive success as a sought-after, hit-making producer who helped drive emo’s commercial explosion in the early 2000s. Safran, on the other hand, emerged as a suit-wearing, genre-hopping solo artist unable to find a record label despite bursts of critical acclaim (legendary writer Larry "Ratso" Sloman described Safran's music as "impeccable") and two buzzy self-released singles—the blistering "Adult Things" in 2009 andthe showstopping duet "Woman Astride, Facing Away" in 2011.

In recent years, Safran has carved out a cultish niche as a songwriter’s songwriter while occasionally brushing up against the mainstream in unexpected—and often anonymous—ways: writing viral advertising jinglesfor sex toy inventor Brian Sloan and lending his versatile baritone voice to international commercials. Additionally, Safran has surprisingly reinvented himself as an investigative reporter for Los Angeles Magazine and other news outlets publishing bombshell, whistleblowing articles on institutional child abuse and cover-ups in the so-called "troubled teen industry."

Approaching 40-years-old and sitting on a rich catalog of unreleased demos in need of studio magic, Safran discovered that Sean O'Keefe happened to live nearby. A quarter century later, the producer extraordinaire is back behind the controls starting with "Lucklessness," a breakthrough single featuring another recognizable Safran neighbor, Jason Narducy, on bass.

Released on Safran's own Lack of Options Records, THE LITTLE RECIDIVIST was co-produced by skateboarder/musician Alance Ward, previously the drummer for All Smiles, the solo project of Modest Mouse and Granddaddy guitarist, Jim Fairchild. The EP was mastered by engineer Collin Jordan (Exene Cervenka, Alkaline Trio, Common) at the Boiler Room in Chicago, Il.

credits

released November 22, 2023

Personnel:
David Safran: vocals and guitars (1–4), bass (2,3), synthesizers (3)
Jason Narducy: bass (1)
Alance Ward: drums (1-3), synthesizers(1,3)
Brian Korey: bass (4)
Steve Serra: drums (4)
Emma Morris: vocals (4)

Technical personnel: 
Sean O'Keefe: production, recording, mixing (1)
David Safran: production, recording, mixing (1-4)
Alance Ward: production, recording, mixing (1-4)
Collin Jordan: mastering
Emma Morris: design, cover art

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David Safran Chicago, Illinois

David Safran is a writer, musician, and producer.. A noted figure in Chicago's music scene, Safran has attracted acclaim for his "boundary-breaking tunes" (WNUR) and dark, provocative lyrics "spike[d]...with humor" (The Chicago Reader).

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